In our quest for forgotten movements, heroes, and styles of the past, retro art club continues its series of the forgotten pioneers of design.
One of the heavy hitters of the Design History Hall of Fame–Herb Lubalin.
The American designer and photographer Herb Lubalin was born in New York City in 1918 and he would become a prominent force during the 70's in graphic design.
He entered the prestigious Cooper Union for the Advancement of Art and Science in 1935. His left-handedness was always a factor in his inability to draw recognizable figures, but it was his calligraphy classes at Cooper Union that fed his passion for typography.
When Lubalin graduated in 1939, his first job was a display artist, which ended when he was fired asking for a raise. He joined the firm Sudler & Hennessey and began working on pharmaceutical ads and advertising promotion.
Pharmaceutical advertising is probably the most creative advertising done during those days and the “breakup cough” ad illustrates Herb’s distinct style and love of combining words and image. Lubalin broke a lot of barriers in terms of making copy ads and more visual than copy-driven.
In 1965 Lubalin created one of the most eloquent of what are called “typograms”- the mother and child logo. Oddly enough, this logo was for a magazine that was never published; yet it is one of his most beautiful designs. Herb loved to fill his letterforms with images. Putting the words and “& child” in the middle of the O becomes the perfect suggestive solution as the “&” becomes the shape of the child within a mothers womb. That really says it all about Lubalin’s work—his words were pictures at his pictures were words.
I found Herb Lubalin's Beards, and thought it was pretty interesting... >
ReplyDeletehttp://users.design.ucla.edu/~cariesta/designhistory/seventies/seventies/Beards.jpg
Then I found this design for 826 Valencia, which I'm not sure, but I think it was done by Dave Eggers?.. Someone had been comparing this to Lubalin's Beards...>
http://www.underconsideration.com/brandnew/archives/826_Office_posters_02.jpg
I found Herb Lubalin's Beards, and thought it was pretty interesting... >
ReplyDeletehttp://users.design.ucla.edu/~cariesta/designhistory/seventies/seventies/Beards.jpg
Then I found this design for 826 Valencia, which I'm not sure, but I think it was done by Dave Eggers?.. Someone had been comparing this to Lubalin's Beards...>
http://www.underconsideration.com/brandnew/archives/826_Office_posters_02.jpg
http://archive.aiga.org/index.html?s1=2|s2=1|eid=15862
ReplyDeletehttp://www.amazon.com/gp/customer-media/product-gallery/0931144280/ref=cm_ciu_pdp_images_all
Promotional design and advertising, 1960
Credits
Designer: Herb Lubalin
Artist: John Pistilli
Compositor: The Composing Room, Inc.
Engraver: Collier Photo Engraving, Inc.
Size: 3.75 x 7 inches
Client: Sudler & Hennessey Inc.
Found this image in 'Herb Lubalin: Art Director, Graphic Designer and Typographer' by Gertrude Snyder online when searching for images.
I love Herb's use of kearning and tracking in this particular piece because it seems so clean and 'just right' optically. I love the font and how the letters act as an image drawing the eye down the center then back up to the smaller text that fits neatly in a box to the left of the whole image. Herb was really on top of his game.
Jennifer Hudak
If this is your first introduction to Herb's work I'd keep digging Jenny, there is soooo much to love about this master. Thanks for the link! -Kevin
ReplyDeletePS- Taught me how to be bold (an authentic) with my typography.
Its hard to not like what Herb Lubalin did with his book "Beards" in 1949. Part of me thinks this cover solution might work well (dare I say better) even without the image of the face. What? Me question a master? Got to let Herb be Herb . . . his work was almost always perfect! -KM
ReplyDeleteI really like the face, it gives it that manly feel beards should be associated with.
ReplyDeletehttp://38one.com/cleverblog/mother--child
I really enjoy how his work looks so simple, yet stands out so much. Both Families and marriage are a really good example of that. I'm a big fan..
I agree how can you not like the picture "beards" by Herb Lubalin. His fonts that he uses are very creative. I found one that I also liked that he designed http://i294.photobucket.com/albums/mm105/Jackcrossing/herb_lubalin.jpg
ReplyDeletehttp://38one.com/cleverblog/mother--child
ReplyDeleteThe design I found most interesting was Families logo because the three different sized I's used to symbolize, three members of a family.
Matt Soto
http://pyramids.wordpress.com/2009/03/23/lunchtime-rd/
ReplyDeleteThis is all new to me but im pretty interested in the message that Herb is sending. This type of message can be interpreted in a few ways i look at it in a religious faith type. And he is apsolutely right and pinpointing at life and the way our society is but if we are to keep this way and not follow to sum it up there wont be nothing left. He seems very bold in what he believes.
http://www.typogabor.com/herb-lubalin/pages/herb_lubalin_005.html
This one interests me bc i feel that having pictures of women like this then was very unheard of. but gives a sense of message about a woman being able to be sexy and promisciuos and have everyone be okay about it It is creative and fun and happy. it is daring and again i feel that he is bold.
This link is for a piece that Herb created combining the numbers and words 7 and 6.
ReplyDeletehttp://4.bp.blogspot.com/_VrglbAjVCag/SWEWCjM2JdI/AAAAAAAAABQ/3LMrGpzbYV4/s320/17.jpg
It's really cool that he can streamline the use of the words and numbers together. This piece has a sleek look, and its cool that he can incorporate the actual spelling of the numbers with the physical drawing of the numbers together. The use of the ampersand to tie it all together is unique as well.
Hello,
ReplyDeleteI found Herb Lubalin's '72 it's a great year anyway you look at it. http://www.dhub.org/articles/1210
I like this one because its the same thing when you flip it over. I also love the font.
I also found, Pas Graphics Inc. http://vremenno.net/design/calligraphy-and-typorgraphy-1/
I love the way he incorporates tools into the font.
Jessica Goncalves
http://2.bp.blogspot.com/_VmhoJRmOFfY/SGc4Z70lXnI/AAAAAAAABH4/VLU3Vzdev2Y/s400/_herb_lubalin_families.jpg
ReplyDelete-------------------------------------------------------
Hey there professor!
I found the logo of "Families" particularly interesting to me. Herb really mastered the ability to make his words act as pictures by themselves, and vise versa. The imagery of the "family" portrayed in the letter "L" and the "I's" really capture the essence of a close-knit family, all by just enhancing three letters in the logo. Artistically the design is pretty simple, but it perfectly portrays that trait that we discussed in class about his ability to make his works appear like something much more than just a typeface design.
Dont really know much more about the logo itself; I looked it up and found out that it was some sort of Readers Digest publication...
http://www.flickr.com/photos/mr_carl/2722157519/
ReplyDeleteThis link is a spread Herb did for "U&lc : Influencing Design & Typography", a design classic.
http://www.markmaxwell.co/wp-content/uploads/2010/08/Herb-Lubalin-1980.jpg
ReplyDeleteThis is another great typeface that includes imagery from Herb. As complex as some of his designs my seem he really allows them to be simple and to the point. He comprehends common sense designs that people are able to view, which is why he is an inspiration to many throughout the years.
I posted a comment for this post and said it needed approval before it will appear on this post I just wanted to make sure you got my comment.
ReplyDeletehttp://archive.aiga.org/entry.cfm/eid_15862
ReplyDeleteI like the "let's talk type let type talk" design. Its simple but stands out and sends a message. The bold font really grabs you're attention (just like its supposed to) and showing the reader that what you're saying is important.
for example another piece of Herb's work
http://jodie13.wordpress.com/2009/05/13/herb-lubalin/
His take on war seems to be true, and gets the message across with the typography.
This comment has been removed by the author.
ReplyDeletehttp://grainedit.com/wp-content/uploads/2009/07/herb_lubalin-type-1.jpg
ReplyDeletenot only do I enjoy the bright color of the background in this poster but the way the letters are intwined is almost musical
http://www.google.com/imgres?imgurl=http://29.media.tumblr.com/JBy6l1Bb3jycw1k38pUSbUKxo1_400.jpg&imgrefurl=http://be
ReplyDeleteI found Herb Lubalin's beard painting. I enjoyed how he incorporated a realistic picture with words. It stood out to me because it was black and white and plain but made a very large statement.
Liz Davis
daivse2@go.stockton.edu
Stephanie Werner
ReplyDelete11/17/10
http://burlesquedesign.com/mike/somuchpileup/logos/leggs.jpg
The logo I found created by Herb Lubalin is the L’eggs logo for L’eggs pantyhose. I think it was a great way to incorporate the look of eggs out of the letter ‘g’. They originally came packaged in egg shaped containers. The logo has been around since 1969 and we still see it on packaging today.
Justin Block
ReplyDelete12/1/10
http://madebysix.wordpress.com/2008/02/26/no-more-war/
We went over the "No More War!" poster in class but the more i look at it the more i like it. He really manages to pull the eye in and catch attention with the big red No More war statement. The contrast in color and size in the type really helps continue the eye around the piece. I think it's fantastic how he fits all of the type into a rectangular shape, which i know is not always an easy thing to do. After seeing this poster i experimented with fitting a phrase in to a perfect shape for a cd cover and it is not easy to pull off with it still being readable.
Mario Laing
ReplyDeletehttp://www.typogabor.com/herb-lubalin/
I found a website that is a tribute to Herbert Lubalin
More wonders from Herb here:
ReplyDeletehttp://westread.blogspot.com/2011/08/herb-lubalin-man-who-loved-letter.html